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Publishing

The half
nobody
collects.

A record earns twice. Once as a master, which you already know how to get paid for, and once as the composition underneath it. The second copyright is the one that goes uncollected, because collecting it means registering the song, naming the writers, proving the splits and following the money through societies in every country it played in. We do that work for the artists on our labels, and we do it for artists who are not on them.

Where you areYour songs are registered nowhere, so the writer share waits in a society that cannot find youSplits agreed in a chat and remembered differently by everyoneMoney that arrives when somebody remembers to chase itA statement built for accountants
Where you end upEvery work registered under your own IPI, in the societies that are holding the moneySplits in writing, on every work, before the record goes outMoney that arrives because a system is chasing it every quarterA statement that names the song, the territory and the amount

Already inside

175 artists whose songs we administer · live from our registry
36 of 175
What we doRegister every work you wrote, with the writers and the splits on itGet you into a society and get you an IPI, if you have neitherPick up each new release and register it without being askedFollow the money through the societies and the sub publishersChase what goes missing: unmatched titles, wrong spellings, works claimed by somebody elsePay it through with a statement that names the song, the territory and the amount
What stays yoursThe copyright: we administer your songs, we do not buy themYour name on the work in every society that lists itThe right to release your masters wherever you likeYour catalog when the term ends, registrations included

How it goes

01We read your catalogWhat you have written, what is registered, what is registered wrong, and what is sitting unclaimed. You see that list before anything is signed.
02You get a society and an IPIThe number that identifies you as a writer for the rest of your life. Most producers we sign do not have one yet, and nothing can be collected without it.
03We register the worksEvery song, with the writers and the splits agreed in writing, in the societies and with the sub publishers who hold the money.
04New records register themselvesOur system watches your releases and files the new works. This is the part that quietly stops being your problem.
05The money comes backWith a statement that names the song and the territory, not a number with no story behind it.
What it costs

Nothing up front. Of what we collect for you, 60 percent is yours and 40 percent is ours, and we take nothing from what you collect yourself. If your catalog is already registered and already paying, we will tell you so instead of taking it on.

Apply

We read every catalog ourselves and answer either way. If the songs are already collected properly, that answer is a no with the reason in it.